{"id":756,"date":"2023-10-28T20:20:01","date_gmt":"2023-10-28T20:20:01","guid":{"rendered":"https:\/\/escritoras-em-portugues.com\/?page_id=756"},"modified":"2024-06-04T02:18:52","modified_gmt":"2024-06-04T02:18:52","slug":"angela-de-azevedo","status":"publish","type":"page","link":"http:\/\/escritoras-em-portugues.com\/en\/xvi\/angela-de-azevedo\/","title":{"rendered":"\u00c2ngela de Azevedo"},"content":{"rendered":"

NAME \u00a0<\/strong>\u00c2ngela de Azevedo<\/p>\n

Biographical Elements<\/strong><\/h4>\n

FATHER <\/strong>Jo\u00e3o Azevedo Pereira ou Thom\u00e9 de Azevedo da Veiga, Sargento de Paredes<\/p>\n

MOTHER<\/strong> Isabel de Oliveira ou D. Maria De Almeida<\/p>\n

BIRTHPLACE<\/strong> Lisboa ou Paredes (Pinhel \u2013 poss\u00edvel confus\u00e3o com D. Luiza \u00a0de Azevedo, natural desta localidade)<\/p>\n

BAPTISM PLACE<\/strong> Lisboa<\/p>\n

PROFESSION \/ POSITION \/ FUNCTION<\/strong> Aia de D. Isabel de Bourbon (mulher de Filipe III de Espanha e Portugal)<\/p>\n

MARITAL STATUS I<\/strong>\u00a0 Married<\/p>\n

SPOUSE<\/strong> N\/A ou Francisco de Anci\u00e3es de Figueiredo<\/p>\n

MARRIAGE PLACE AND DATE<\/strong> Madrid<\/p>\n

CHILDREN<\/strong> 1 filha ou sem filhos<\/p>\n

MARITAL STATUS II<\/strong> Freira (incerto)<\/p>\n

RELIGIOUS ORDER<\/strong> Beneditina<\/p>\n

CONVENT <\/strong>S\u00e3o Bento de Madrid<\/p>\n

WORKS<\/strong><\/h4>\n

HANDWRITTEN WORKS<\/strong><\/p>\n

Comedia famosa. El muerto dissimulado<\/em> Comedia famosa. La Margarita dal Tajo que di\u00f2 nombre a Santarem<\/em><\/h6>\n

PRINTED WORKS<\/strong><\/p>\n

\n

Comedia famosa. La Margarita dal Tajo que di\u00f2 nombre a Santarem<\/em>, in.: Maria del Carmen Sim\u00f3n Palmer, Escritoras Espa\u00f1olas 1500-1900<\/em>., Biblioteca Nacional de Espa\u00f1a, Parte 1, Libro 4, Madrid, Chadwick-Healey Espa\u00f1a, 1992.<\/p>\n

Comedia famosa. La Margarita dal Tajo que di\u00f2 nombre a Santar\u00e9n. El muerto disimulado<\/em>, ed. Fernando Domeneq Rico, Madrid, Asociaci\u00f3n de Directores de Escena de Espa\u00f1a, 1999.<\/p>\n

La Margarita dal Tajo que di\u00f2 nombre a Santarem<\/em> in.: Teresa Scout Soufas (ed.) Women\u2019s Acts: Plays by Women Dramatists of Spains\u2019s Golden Age<\/em>, Lexington, University Press of Kentucky, 1997, pp. 45-90.<\/p>\n

Comedia famosa. El muerto dissimulado<\/em>, in.: Maria del Carmen Sim\u00f3n Palmer, Escritoras Espa\u00f1olas 1500-1900<\/em>. Biblioteca Nacional de Espa\u00f1a<\/em>, Part I, Libro 2 Madrid, Chadwick-Healey Espa\u00f1a, 1992.<\/p>\n

Dicha, y desdicha del juego y devoci\u00f3n de la Virgen<\/em>, in.: Teresa Scout Soufas (ed.) Women\u2019s Acts: Plays by Women Dramatists of Spains\u2019s Golden Age<\/em>, Lexington, University Press of Kentucky, 1997, pp. 4-44.<\/p>\n<\/blockquote>\n

Bibliography<\/strong><\/h4>\n

BARBEITO CARNEIRO, Maria Isabel \u201cMujeres peninsulares entre Portugal y Espa\u00f1a\u201d Pen\u00ednsula: Revsita de Estudos Ib\u00e9ricos, <\/em>0, Porto, FLUP, 2003, pp. 209-224. <\/em><\/p>\n

BARRERA Y LEIRADO, Cayetano Alberto de La, Cat\u00e1logo bibliogr\u00e1fico del teatro ant\u00edguo espa\u00f1ol, desde sus or\u00edgenes hasta mediados del siglo XVIII, <\/em>Madrid, Gredos, 1969.<\/p>\n

\u00a0<\/em>CHAMBERS, Donna M., From within the Birdcage: Societal Relations in the Works of Angela de Azevedo,<\/em> Tese, Georgetown University, 2007.<\/p>\n

FARINHA, Bento Jos\u00e9 de Sousa, Summario de Bibliotheca Lusitana<\/em>. Lisboa: na Officina de Antonio Gomes, 1786, Tomo I, p. 80.<\/p>\n

FERRER VALLS, Teresa, \u201cDecir entre versos: Angela de Azevedo y la escritura feminina em el Siglo de Oro\u201d in.: Susana Gil-Albarellos P\u00e9rez Pedrero & Mercedes Rodriguez Peque\u00f1o (eds.) Ecos silenciados: La mujer em la literatura espa\u00f1ola. Siglos XII al XVIII, <\/em>Segovia, Fundacion Instituto Castellano y Leon\u00e9s de la Lengua, 2006, pp. 213-241.<\/p>\n

GARCIA PEREZ, Catalogo Razonado Biografico e Bibliografico de los Autores Portugueses que escribiron en castellano<\/em>. Madrid: Imprenta del Colegio Nacional de Sordo-modos y de ciegos, 1890, p. 7.<\/p>\n

GABRIELE, John P. \u201cEngendering Narrative Equality in \u00c1ngela de Azevedo\u00b4s El muerto disimulado<\/em>\u201d, Bulletin de Comediantes, <\/em>60.1, 2008, pp. 127-138.<\/p>\n

GASC\u00d3N, Christopher D. \u201cFemale and Male Mediation in the Plays of Angela de Azevedo\u201d, Bulletin de Comediantes,<\/em> 57.1, 2005, pp. 125-145.<\/p>\n

HEGSTROM, Valerie, Catherine Larson (eds.) Angela de Azevedo. <\/em>El muerto dissimulado \/ Presumed Dead, <\/em>Liverpool, Liverpool University Press, 2018.<\/p>\n

HEGSTROM, Valerie, \u201cEl convent como espacio esc\u00e9nico y la monja como actriz: montajes teatrales em ter conventos de Valladolid, Madrid y Lisboa\u201d in.: Nieves Baranda Leturio & Carmen Marin Pina, Madrid, Iberoamerican-Vervuert, 2014, pp. 363-378.<\/p>\n

HEGSTROM, Valerie, \u201cComedia <\/em>Scholarship and performance: El muerto disimulado <\/em>from the archive to the Stage\u201d Comedia Performance <\/em>4.1, 2007, pp. 152-178.<\/p>\n

HORMIG\u00d3N, Juan Ant\u00f3nio \u201cAcevedo, Angela de\u201d Autoras em la historia del<\/em> teatro espa\u00f1ol, 1500-1994, vol. I, Madrid, Asociaci\u00f3n de Directores de Escena de Espa\u00f1a, 1996, pp. 403-409.<\/p>\n

MACHADO, Diogo Barbosa, Bibliotheca Luzitana: hist\u00f3rica, cr\u00edtica e cronologica. <\/em>Lisboa Occidental, na Officina de Antonio Isidoro da Fonseca, 1741-1759, vol I, p. 175; volume IV, p. 19.<\/p>\n

MAROTO CAMINO, Mercedes \u201cTransvetism, Translation and Transgression: Angela de Azevedo\u2019s El muerto disimulado<\/em>\u201d Forum for Modern Language Studies, 37.3, 2001, pp. 314-325.<\/p>\n

MUJICA, B\u00e1rbara \u201c\u00c1ngela de Azevedo: Espectros y Sombras\u201d Women Writers of Early Modern Spain: Sophia\u2019s Daughters, <\/em>New Haven, Yale University Press, 2004, pp. 232-247.<\/p>\n

MUZQUIZ-GUERREIRO, Darlene \u201cSymbolic Inversions in \u00c1ngela de Azevedo\u2019s El muerto disimulado<\/em>\u201d Bulletin of the Comediantes<\/em>, 57.1, 2005, pp. 147-163.<\/p>\n

PERES, Domingo de Garcia, Cat\u00e1logo razonado biogr\u00e1fico y bibliogr\u00e1fico de los autores portugueses que escribieron em castellano, <\/em>Madrid, Imprenta del Colegio Nacional de Sordomudos y de Ciegos, 1890, p.<\/p>\n

PERYM, Dami\u00e3o de Froes, Theatro Heroino, abecedario historico, e catalogo das mulheres ilustres em armas, letras ac\u00e7oens heroicas e artes liberais\u2026 <\/em>Lisboa Occidental, na Officina de Musica de Theotonis Antunes Lima, 1736-1740, Volume II, p. 493.<\/p>\n

SAMSON, Alexander, \u201cDistinct Drama? Female Dramatists in Golden Age Spain\u201d in.: Xon de Ros & Geraldine Hazbun (eds.) A Companion to Spanish Women\u2019s Studies, <\/em>Woodbridge, Tamesis, 2011, pp. 157-172.<\/p>\n

SERRANO Y SANZ, Manuel de Apuntes para uma biblioteca de escritoras espa\u00f1olas, <\/em>vol. I, Madrid, Biblioteca de Autores Espa\u00f1oles, 1903, p.<\/p>\n

STOLL, Anita K., \u201c\u2019Tierra de em medio\u2019: Liminalities in Angela de Azevedo\u2019s El<\/em> muerto dissimulado<\/em>\u201d in.: Valerie Hegstrom & Williamsen (eds.) Engendering the Early Modern Stage: Women Playrights in the Spanish Empire, <\/em>New Orleans, University Press of the South, 1999, pp. 151-164<\/p>\n

TAC\u00d3N GARCIA, Ant\u00eda \u201cLa criada em las comedias de \u00c1ngela de Azevedo\u201d, 2020<\/a><\/p>\n

URBAN BA\u00d1OS, Alba, \u201cLa empresa m\u00e1s lucida y m\u00e1s hermosa\u201d de Portugal: Clave hist\u00f3rica para la dataci\u00f3n de El muerto dissimulado<\/em> de \u00c1ngela de Azevedo\u201d in.: Isabelle Rouane Soupault & Philippe Meunier (orgs.) Tiempo y historia en el teatro del Siglo de Oro: Actas selectas del XVI Congreso Internacional<\/em>, Aix-em-Provence, Presses Universitaires de Provence, 2025<\/p>\n

WADE, Jonathan, Angela de Azevedo\u2019s El muerto dissimulado: A BYU Golden Age Theater Production, <\/em>Provo, Brigham Young University, Department of Spanishe and Portuguese, 2004.<\/p>\n

\u00a0<\/em>WADE, Jonathan, \u201cPatriotism and Revolt: Uncovering the Portuguese in \u00c2ngela de Azevedo\u201d, Bulletin of the Comediantes, <\/em>59.2, 2007, pp. 325-343.<\/p>\n

COMMENTS<\/strong><\/p>\n

Barbosa MACHADO fornece dados contradit\u00f3rios<\/p>\n

","protected":false},"excerpt":{"rendered":"

NOME \u00a0\u00c2ngela de Azevedo Elementos biogr\u00e1ficos PAI Jo\u00e3o Azevedo Pereira ou Thom\u00e9 de Azevedo da Veiga, Sargento de Paredes M\u00c3E Isabel de Oliveira ou D. Maria De Almeida LOCAL DE NASCIMENTO Lisboa ou Paredes (Pinhel \u2013 poss\u00edvel confus\u00e3o com D. Luiza \u00a0de Azevedo, natural desta localidade) LOCAL DE BAPTISMO Lisboa PROFISS\u00c3O \/ CARGO \/ FUN\u00c7\u00c3O … Read more<\/a><\/p>","protected":false},"author":3,"featured_media":0,"parent":45,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"cybocfi_hide_featured_image":"","footnotes":""},"class_list":["post-756","page","type-page","status-publish"],"_links":{"self":[{"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/pages\/756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/comments?post=756"}],"version-history":[{"count":10,"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/pages\/756\/revisions"}],"predecessor-version":[{"id":1621,"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/pages\/756\/revisions\/1621"}],"up":[{"embeddable":true,"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/pages\/45"}],"wp:attachment":[{"href":"http:\/\/escritoras-em-portugues.com\/en\/wp-json\/wp\/v2\/media?parent=756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}